My youngest can already fish on his own. His catch totaled 45 fish, a mix of char and trout – impressive for an 11 year old! They both got to see how traps were set, which is something that has almost completely died off in James Bay. It’s important for them to understand the past to help them see the path forward. This trip only scrapes the surface of what their parents, grandparents, and great grandparents would have endured on the land.

My son-in-law and brother arrived shortly after we turned back because Jr. was too cold to continue tracking fresh moose tracks. “We got two bulls!” said my brother with much excitement in his voice. All of us were happy to have fresh meat, so we hurried off to gut and skin the kill.

It’s not easy skinning a bull moose, and it’s twice as hard in winter when everything seems to slow down from the cold. The hide is almost an inch thick in some places and your blade dulls quickly. If you’re not careful to wipe the blood from the blade before taking it to a file, the file ices up and won’t sharpen a blade.

We’re also working against short daylight hours, and a little boss who keeps yelling at us: “When you guys going to be done, and what’s taking you so long?” Sometimes Jr. lacks patience and understanding at his age, so we work our butts off to please him.

Working my butt off has become the story of my life – not only on the land, and at home, but also in my work as an entrepreneur, and in pursuing a career in music. This has not been easy. We have been working hard on the new Midnight Shine album, and sending tracks to a few industry people to listen to. We are excited by the new music, but I’m feeling frustrated by what a few prominent radio trackers said.

Don’t get me wrong, like every other band, I, too, would like to have commercial success.  But let’s face it, if you’re not Coldplay or some other superstar that everybody already knows, it’s very rare that you’ll ever be good enough for a radio trackers’ ears, or for commercial radio to put your music into rotation.

I often to listen to Apple Music’s rock playlist, called ‘The A-List’, carefully studying the production, arrangements and lyrics. I do hear a difference in sound and style between artists, but a lot of it begins to sound the same to me. Something else I’m very confused about is how crappy songs get into regular rotation on commercial radio. It’s like they play the same artists, over and over, no matter if the songs are good or not. At the same time, they don’t want to give new artists a chance. Guess I’ll never understand that whole world.

I’m trying desperately to fit into the industry, but can’t help but feel like an outsider. Maybe it’s all part of building the brand, paying your dues, and starting at the bottom of the totem pole.

I’m chomping at the bit for the music to really take off, but keeping a positive outlook and believing that good things are on the horizon. With the third album mostly complete, I feel good knowing that all the hard work will eventually come to fruition.

It’s been an awesome experience meeting so many people this past year and being in the same company as great musicians like Jim Cuddy, Dallas Smith and Sam Roberts, and NHL greats like Daniel Alfredsson and Troy Crowder. Experiences like this have really boosted my confidence, and remind me that slowly but surely, we are gaining ground.

Looking back now, I can see just how far I’ve come.

The post Survival: On The Land, And In Music appeared first on Midnight Shine.

In the days leading up to Bluesfest, I felt pretty good knowing that I’d come all this way from nowhere. My home is Attawapiskat, a remote community in Northern Ontario on the coast of the James Bay. Being in Attawapiskat makes you feel far removed from the rest of the world sometimes. It can be a tough place to live, and an even tougher place from which to launch a music career.

Landing the gig at Bluesfest, I couldn’t help but think… not too bad for an Omushkego (Swampy Cree)! I felt proud, and wanted to play the best show we could, on what would be our biggest stage yet. I remember the first time playing a stage that came close to the size of the Bluesfest City Stage. There was so much space around me, I didn’t know what to do with it. The other guys in the band all seemed so far away. It was a strange feeling, being exposed in front of a crowd like that.

One great discovery though, about professional stages, is that the sound guys and stage manager are top notch. They are right on cue with everything, which helps to ease the nerves. Working with a professional crew sure beats having to fashion up a mic stand with duct tape and a yard rake – something we actually had to do once, for a show up north.

Finally, Bluesfest weekend arrived. Arriving backstage at the festival site early on Sunday afternoon was overwhelming to say the least. There were buses and semis and vehicles moving about, and all kinds of people running around doing their jobs. We felt like rookies back there, but the staff and crew were so nice to us, and treated us like an important band. On that day, in that space, I suppose we were.

They showed us to our ‘greenroom’ – a trailer in the backstage area. We noticed the sign on a trailer just a few meters away: Tom Petty & The Heartbreakers. They were going to be right there! It was hard not to want to wait around to see if we could catch a glimpse of them. But we had work to do.

Waiting backstage to do our sound-check… I couldn’t help but notice over on the side stage, a workspace full of guitars. There must have been 20 different guitars! I knew they belonged to Tom Petty, and I looked down at my only guitar – a J35 Gibson which I could barely afford to buy five years ago. I thought to myself, I wonder if I’ll be able to make it in this business and one day own that many guitars.

I would have loved to shake Tom Petty’s hand that day, and let him know how much he inspired me. When I was a kid, the jukebox in Attawapiskat had a Tom Petty song: Won’t Back Down. Any chance I got, I’d put my money in the jukebox and listen. It was a song of defiance, and gave me strength in some ways. It was also one of the first songs I taught myself to play on guitar.

We performed our best show for Bluesfest, and the organizers seemed very happy. So did the crowd, who clapped, cheered, and even shouted for an encore. We played in front of about 5000 people that day – our largest crowd yet. We had so much fun roaming around on the biggest stage we’d ever been on. I think we surprised a lot of people with our music and performance that day. We maybe even surprised ourselves a little bit.

Being from the far North can have its disadvantages in more ways than one. On the flip side, it has definitely helped shape who I am today. Knowing what it feels like to have very little can set you on a path of wanting more. It creates an insatiable appetite for kushki-ho-win (success). I’ve never been one to sit around and do nothing, and anytime I have extra time, I can’t bare it.

It’s kind of funny that colonizers once set out to break the Ininiw (Indian). Yet, by attempting to do so, they unintentionally created a hybrid Canadian who excelled – and excels – in Indigenous society, as well as in western society. Ultimately, we have learned to navigate the best of both worlds, which is now very helpful. Today, even more than ever before, I am driven for kushki-ho-win.

After our show, we enjoyed a special reception put on by Bluesfest organizers, and met many Indigenous people and leaders from the Odawa region. Afterwards, we sat back with our friends and family to enjoy Tom Petty’s performance. And what a show! I haven’t seen many concerts in my life, but if I had, I’ll bet this would have been one of my favourites.

As I watched Tom Petty playing up there on that gigantic stage, I couldn’t help but notice each time he changed guitars – the same guitars I had seen backstage. While we hoped to get the chance to shake his hand that day, we never did. And now with the news of his sudden passing, it would have meant even more to us, for that moment to have happened. But now, it never will.

I’m sad to know that the world lost Tom Petty. I’m also grateful that I once got to open for one of the greatest musicians of our time. It was an experience I’ll never forget.

The post Dream Come True: Opening For Tom Petty & The Heartbreakers appeared first on Midnight Shine.

George initially learned to play guitar in Grade 6, when his teacher decided that the entire class be taught guitar by a nun. Guitar seemed to come pretty natural to George, and he picked it up quickly. Soon he was asked to perform during church services, and for the next few years he played guitar for Sunday mass and other functions.

Drums entered George’s life when one of his friends suggested he take up percussion class. Since a bunch of his other friends were also joining, George also joined – and discovered a real talent for drums.

George’s musical influences came from the rock genre – whatever was broadcasting on Wawatay Radio, or whatever cassette tapes he could get his hands on.

Today, George might actually hear himself on Wawatay Radio – since the station plays a lot of Midnight Shine music, including the single Northern Man, which spent three weeks at #1 on the National Aboriginal Music Countdown.

The post Strumming To The Beat Of His Own Drum appeared first on Midnight Shine.

Its good to have ideas about our origins, and whether there is something beyond our material world. It’s also good to look at Aboriginal traditional stories, and religious beliefs, for guidance on morality and how we should treat others.

But sometimes, people look to holy books or ancient teachings that promote bans on what women can do, how they should dress, and who they may marry. Such teachings can make good people believe in unhealthy ideas in the name of a God, Allah, Mohammed or Yahweh that are in conflict with modern, progressive ideas. Our world is also seeing much violence and death committed by extremists who believe they are doing divine work. There are problems with fundamentalist followers in any religion that are not open to criticism, free speech and reformation of dangerous ideas.

In today’s modern world, we need effective dialogue between minds of different knowledge systems that can change dangerous ideas and reform beliefs that will enhance humanity.

The post Divinely Dangerous? appeared first on Midnight Shine.

But times are changing. Many people are fleeing south for a better life, winters are getting shorter and our world is melting around us. This threatens the James Bay Cree way of life. As a young man, I could hunt by snow-machine along the James Bay’s west coast until mid-may. These days, we’re lucky to have sea ice safe enough to travel on in April.

I think today, the James Bay Cree have the best of both worlds – one foot in the past and one foot in the here and now – and must take full advantage of this. Preparing for the winter months in the far north is a lot of work; we must fill our freezers with meat and fish for the coming cold months and make sure we have enough firewood to last. Waiting for freeze-up is the most difficult time for a remote community in the north, but once the land is in a deep freeze, it ends the isolation for its inhabitants. People can visit relatives in other nearby communities. We can harvest fish, caribou, rabbit, partridge, trap for furs, and roam free.

Not everyone prefers to live the old ways. With Attawapiskat being host community for Ontario’s first diamond mine, many of our members are now turning to employment and business opportunities that the mine offers. While the mine itself brings us very little benefit, it gives our members a chance to make a decent living.

It’s difficult to know what lies ahead for us, but I know for sure we must ensure the survival of the culture.

The post Winter In James Bay appeared first on Midnight Shine.